Showing posts with label DEPTH OF FIELD. Show all posts
Showing posts with label DEPTH OF FIELD. Show all posts

Friday, 28 June 2013

Photography Concepts, Understand Your Art

Originally posted 22 Jun 2010
Exposure is the amount of light allowed to fall on the photographic medium, the film or a digital image sensor. Exposure is measured in lux seconds or the measure of the intensity as perceived by the human eye. This interval on the photographic exposure scale is commonly referred to as a stop.

Focus is where light from object points is converged almost as much as possible in the image, sharp, and out of focus if light is not well converged, blurry. The border between these areas is called the circle of confusion.

Depth of field (DOF) is the portion of a scene that appears acceptably sharp in the image. A lens can only precisely focus at one distance and the decrease in sharpness is gradual on each side of the focused distance.

Shutter speed or the exposure time is the length of time a camera's shutter is open or can be thought of as the duration of light reaching the film or digital image sensor.
Slow shutter speed, moving objects blur.
Fast shutter speed movement is frozen.

Aperture is an opening through which light travels. The opening size determines the amount of light and the angle of that light over the digital image sensor. If an aperture is narrow (say f22), then sharp focus is achieved across the image plane. If an aperture is wide (f2.8) then a sharp focus is achieved for a certain focal length, part of the image plane is sharp around what the lens was focused on and blurred otherwise.

ISO is a light sensitivity measure and is the relationship between exposure and sensor data values that can be achieved by setting the signal gain of the digital sensor in a DSLR. The lightness of the finished image is measured by an exposure index rating similar to what would be obtained with film of the same rating at the same exposure. Digital Cameras far surpass film in terms of sensitivity to light and controlling image noise and film grain. Digital cameras have achieved ISO's up to 102,400, and you can commonly get acceptable results with ISO 3200 for good DSLR cameras which film speeds never got close to.

Perspective is a visual perception or the way in which objects appear to the eye based on their relative position to the viewer. As objects become more distant they appear smaller and as object gets further from the eye, its contrast with the background is reduced.


Composition is the placement or arrangement of visual elements or ingredients in a work or the organisation of the elements in an image according to the principles of art. Unity, Variety, Balance, Contrast, Proportion, Pattern

The rule of thirds is a compositional rule of thumb in which the rule states;
That an image should be imagined as divided into nine equal parts by two equally spaced horizontal lines and two equally spaced vertical lines.
The important compositional elements should be placed along these lines or their intersections as aligning a subject with these points creates tension, energy and interest.
For example an horizon should be at the horizontal line dividing the lower third of the photo from the upper two thirds and any important elements should be at the intersection of two lines. This is called a power point or a crash point. Depending on the composition you will find close enough to this rule can be enough to take advantage of the rule. Like all rules these are made to be broken so experiment.

To understand how you need to balance ISO, Shutter Speed, and Aperture to get a good exposure you would think that this is an equal mix of shutter speed, ISO speed, and aperture, but its not a simple as that. The problem is you can’t actually map what an exposure will be as any one or two of the other variables change. Composition, perspective and its relation to the rule of thirds is more of an artistic judgement.

If you understand all this and can exploit the relationship of these concepts and produce beautiful images, leave a comment tell me how.

Saturday, 14 January 2012

Bountiful Harvest

We have our first crop of grapes since planting two vines for shade on the back deck 18 months ago. We got 6 small bunches of one vine. We also have nectarines and peaches coming on. Update will follow . . .

Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/640 sec
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Saturday, 5 November 2011

Photography Redux

Click on text to jump to post
Photography is
     Light , Composition
              Depth Of FieldBokeh
                    ExposureFocus
                           AperturePerspective

Sunday, 30 October 2011

Wallflower

Nikon D300, Nikkor 105mm Macro f2.8 @ ISO 200, 105mm f3, 1/100 sec
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Sunday, 14 November 2010

OOF and the Beauty of Blur

Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/100 sec
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Lens designers want to attain the best possible image quality and sharp focus performance in their products and the out of focus (OOF) parts of a camera's produced image are not a primary design objective in the manufacture of a lens. However, the OOF blur characteristics were a thing of beauty to Japanese photographers who introduced the term "bokeh" which in Japanese means "blur" or "haze" in the late 1990's. The aesthetic quality of the blur is the amount of background or foreground blur that is controlled (amongst other stuff) by the setting of the lens f-number.
Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/60 sec
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In an optical system the diameter of the entrance is expressed in terms of the f-number which is the focal length divided by the aperture diameter. F22 is mall f1.4 is large (smaller number bigger hole more light) The larger aperture gives a more blurred background. Out of focus highlights assume the shape of the lens aperture diaphragm opening, for example a six sided diaphragm leads to hexagonal blur patches but it is generally held that the better an aperture approximates a round opening and subsequently a more pleasing the blur (bokeh). One photographer famous for his use of bokeh as far back as the early 1980's is American photographer Kim Kirkpatrick.
Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/1000 sec
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Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/1250 sec
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Nikon D300, Nikkor 50mm f1.4D @ ISO 200, 50mm f1.4, 1/4000 sec
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Sunday, 30 May 2010

What am I ?

Design quiz "What am I ?
Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/2500 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/2000 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f8, 1/250 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f8, 1/64000 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/4000 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/5000 sec
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Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/1600 sec
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It's a car dealership! This is the new Audi’s ‘terminal’ architectural design. the building a has folded honeycomb pattern brushed aluminium facade with curved windows and curved silver surfaces inside, which is what the company says reflects the brand’s motorsport history. The Audi terminal was originally designed by architects, Allmann Sattler Wappner for Audi AG who are headquartered in Ingolstadt, Germany and is being rolled out globally.
Nikon D300, Nikkor 35mm f2 @ ISO 200, 35mm f2, 1/4000 sec
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Saturday, 27 March 2010

Light Illuminates Texture and Color, Shadows Define Form

"Light illuminates texture and color, shadows define form" is phrase attributed to an american illustrator and writer Howard Pyle. It's a term often used by photographers as "Light illuminates and shadows define" and is a great way to describe dynamic range and contrast. This post though is about a different type of range.
Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 14mm f5.6, 1/200 sec
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On a photo project this weekend I travelled to Wentworth Falls, its a town in the Blue Mountains, New South Wales about 100 Kms west of Sydney on the Great Western Highway at an elevation of 867 metres.
Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 14mm f2.8, 1/100 sec
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Choosing carefully I took a walk of medium difficulty down a track that includes steps. A 1.5 km walk to Weeping Rock and Fletchers Lookout with a climb of about 90 metres. Unfortunately I took a wrong turn from the top of Wentworth falls and started down the very steep National Pass Walk a described as difficult with many steps and ladders I was about 300 metres down when I decided to go back.
Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 16mm f2.8, 1/160 sec
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Nikon D300, Tokina 11-16 f2.8 @ ISO 800, 14mm f22, 1/6 sec
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Nikon D300, Nikkor 70-200mm f2.8 @ ISO 200, 155mm f8, 1/40 sec
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Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 11mm f8, HDR
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Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 16mm f22, 1/4 sec
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Nikon D300, Tokina 11-16 f2.8 @ ISO 200, 16mm f22, HDR
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Nikon D300, Nikkor 70-200mm f2.8 @ ISO 200, 70mm f2.8, 1/160 sec
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